Friday 11 October, 17:00 | Teatro Astra Vicenza |
Fabrizio Favale’s style features a strong connection with the rhythms and shapes of nature. In Alce he and his group Le Supplici further explore a theme he has long been investigating that has led to the creation of various works: the presence of animals and our relationship with them.
Strangely closer to us as we gradually let go of the world, the presence of animals is subtle, evanescent, almost ghostly, and yet so full of sounds and unintelligible languages, of new senses of space and time, new possible relationships between all creatures. Starting from these assumptions this work moves towards abstractions of an indefinite elsewhere. It invents movements as if they were beings from other worlds, like of imaginary animals, or strange populations that are now extinct or that have never existed.
The nine dancers paint an unknown, alien landscape, and inhabit it as its creatures, in a choral dance that is sometimes rhythmic and tribal, sometimes rarefied and evanescent.
In Alce zoomorphic figures (some inspired by archaic popular tradition, others invented) punctuate the passing of the choreography, like in a mysterious dialogue from afar.
Since 1999 Fabrizio Favale has created over 30 choreographies and has been invited to many internationally renowned festivals and theatres such as the Chaillot Théâtre national de la Danse, Biennale de la Danse de Lyon, the Venice Biennale, SIDance Seoul, Varna International Festival and many others. He has received prestigious choreography awards in Spain, Germany, Italy and Serbia.
His dance is centred on abstraction, typical of the American techniques he was taught. The choreographic landscapes he draws in his works seem each time to recall distant, unknown worlds, in which dance is presented as a horizon free from interpretations and classifications.
He has invented a series of experimental programming formats for Italian Festivals and Theatres. The main ones are: The Balinese Dance Platform (2014-2015) for the Santarcangelo Festival and Circo Massimo (2016-2017) for the Duse Theatre in Bologna.
His outdoor project, Le Stagioni invisibili– Ciclo Coreografico Infinito, has received the 2019 PerChiCrea Production Award by SIAE and the Italian Ministry of Culture and was among the 8 best European outdoor projects of 2021 of the Big Pulse Dance Alliance in the Open Air Commissions programme. Between 2022 and 2024 he was Italian Associate Artist of MILANoLTRE.
choreography | Fabrizio Favale |
performers | Daniele Bianco, Martina Danieli, Daniel Cantero, Pietro Conti Milani, Claudia Gesmundo, Mirko Paparusso, Andrea Rizzo, Daniel Tosseghini, Po-Nien Wang |
music | Christian Fennesz, James Holden, Dark Morph, Nathan Fake, Team Ghost, Jónsi & Alex |
set and light design, costumes | First Rose |
coproduction | Festival MILANoLTRE, KLM – Kinkaleri, Le Supplici, mk |
with the support of | MiC, Regione Emilia-Romagna, ATER, h(abita)t – Rete di Spazi per la Danza, Sementerie Artistiche, Crevalcore, Regione Lombardia e Fondazione Cariplo per il progetto Next |
a special thanks to | Teatro Duse Bologna e DAS Bologna per la gentile concessione degli spazi |
Duration: 50 minuti